Picture Contest for New Song “Enlighten Me”

Attention Matt Bankert fans: my brand new song “Enlighten Me” is almost done and ready for internet consumption! It will be available at all fine online music outlets for purchase and streaming.

I have a problem, though: it needs artwork. That’s where you come in! Submit a photo, original artwork, or some other static visual thing to me by July 29, 2019. The winner of this contest will receive a high-quality sound file of Enlighten Me and a virtual Matt Bankert mini-concert! If you need inspiration, here is the acoustic demo of Enlighten Me.

A few requirements:

  • The photo/artwork can’t be something I’ll get sued over. If it is not original to you, it must be licensed under the creative commons or something. E.G., Google image search with the criteria “free to use, share, or modify”.
  • The file size needs to be 3000 x 3000 or 1400 x 1400 pixels.
  • File needs to be a PNG, JPEG, or GIF

To submit your entry do one of these:

Good luck, and thanks!!

Sons With Guns

My acoustic demo of “I Don’t Care” is now on YouTube:

I’d love to hear what you think!

In the Earbuds: “The Similitude of a Dream” by Neal Morse Band

As I listened to the first album I’ve heard with Neal Morse (formerly of prog rock band Spock’s Beard) on it, I thought, What makes a good rock opera?

  • Gratuitous background vocals
  • Multiple lead vocalists
  • Borderless songs
  • An overture
  • Dream Theater cofounder Mike Portnoy on drums
  • Volcanic guitar solos
  • Two discs
  • Repeated musical themes and melodies
  • A concept from a centuries-old Christian novel

The Similitude of a Dream delivers all of those things and much more. Based on the story from John Bunyan’s The Pilgrim’s Progress, it follows the protagonist Christian in his journey from the City of Destruction to the Celestial City. Along the way he meets several characters that encourage, mock, confront, betray, or battle him (a dragon!).

The lyrics are fine in most places, and weak in a few others (“Satan’s talking such smack”). The musical quality is off the charts. Organ-heavy prog rock with a lot of 70’s influence, which occasional chunky metal diversions. Each band member is a virtuoso in his own right, and often on more than one instrument. Highlights include “City of Destruction” (a killer Black Sabbath riff and soaring melody), “The Man in the Iron Cage” (sort of a Black Dog Jr. with a great hook), and “Draw the Line” (a smashing hard rock progression). The effort, imagination, and skill that went into this album bazookas your face. And it looks like more is around the corner in 2019 with their next double album, “The Great Adventure.”

I was going to add a few more things, but I just went on and on about Neal Morse. Next time!

Matt’s Museletter: I Don’t Care If Your Skin Is Fair

Feast your ears on this baby – not literally a baby – its a new acoustic demo for my song, I Don’t Care:

I’d love to hear what you think!

Great Minds Think Alike

You might have noticed that my video is on a website called Minds. Minds is a social media platform Im toying with because I am intrigued by the fact that it is:

  • Running on Ethereum, a decentralized blockchain platform
  • Totally open source ie, the software is totally out in the open for anyone to see and copy for their own
  • And not prone to censorship as some of the other platforms may be

I havent made up my mind about it yet, but it seems cool so far! And you can apparently make money on it for posting things!

Electronically social on:

Facebook

Twitter

Youtube

Spotify

===Follow Matts Spotify playlist, Libertarian Rock, updated regularly!===

Shirley, You Must Be Joking – An Acoustic Demo

While I continue work on the “studio” version, I am pleased to present for your listening and viewing delight, an acoustic demo of “Shirley, You Must Be Joking”

I’m not sure if the lyrics will change by the time I get to finishing the proper recording. Let me know what you think!

Lyrics
She says borrowing will make her rich
Her goal is to dig and refill this ditch
Credit cards, lottery tickets, and loans
She’s mortgaged her very bones

She goes deadpan, and plays the straight-man
She’ll make you cry ‘til you laugh
She begs the question and I’m begging for answers
She doesn’t know it’s a gaff

Shirley, you must be joking (x2)

She’d drown that puppy if they say she should
She says it is for the greater good
They tease her with hope just for fun
Owned by all and known by none

She doesn’t hate or discriminate
She’s buying Stalin and Bin Laden cokes
She sounds goonish, and she looks cartoonish
Like a pig shouting “That’s all folks!”

Shirley, you must be joking
Shirley, you must be joking
I’m laughing so much I’m choking
Shirley, you must be joking

If the thieves let you steal from everyone too
They’ll let everyone steal from you
You’re not a car in someone else’s train
A cell in someone else’s brain

Shirley, you must be joking
Shirley, you must be joking
I’m laughing so much I’m choking
Shirley, you must be joking

In the Earbuds: Icky Thump by the White Stripes

Occasionally, I like to listen through an artist’s catalog in chronological order, and I just came back to this 11 year old final album by Jack and Meg. I forgot (or maybe never knew) about the charm of it. The production is crisper, cleaner, and bit more polished than their other albums. Like the hardness of some of the rocking songs (title track, “Little Cream Soda”) the lyrical opacity and goofiness are also dialed up to 11. The folk/Americana elements are strong, too on standout tracks like “300 MPH Torrential Outpour Blues”, “Prickly Thorn But Sweetly Worn”, and “Effect and Cause”. Jack’s affinity for child-like schmaltz is evident on the fun, bouncing “Rag and Bone” and the over-the-top Latin pomp of “Conquest”. While some of it gets a little zany for my tastes, I do appreciate a little silliness in my music.

Icky Thump may not be the White Strips’ claim to fame, but it was a good way to go out.

Quotable

It’s safe to say somebody out there’s
Got a problem with
Almost anything you’ll do
Well, next time they stab you
Don’t fight back
Just play the victim,
Instead of playing the fool

-300 MPH Torrential Outpour Blues, the White Stripes

Museletter # 10: Everything You Say Sounds Stupid

New Song: Enlighten Me

Here it is, an acoustic demo of a brand new song, Enlighten Me:

Enlighten Me acoustic video

Enlighten Me acoustic video

I plan to make a more rockin’ version eventually, so stay tuned.  I would love to hear what you think!

Sale Still Going!

Don’t miss out!  The $5 sale on my music at CDBaby.com is still going on for a limited time – agh, I can only keep this salesman stuff up for so long.  Just buy my music if you want to.  $5 for 11 songs!

In the Earbuds: Revolution Radio by Green Day

Green Day is a household name in the “alternative rock” world (whatever “alternative” means) almost 30 years into their career.  What person learning guitar hasn’t prioritized memorizing one of Green Day’s power chord-riddled hits like Longview or Welcome to Paradise?  (I know I have.)  With Revolution Radio they show that they can still belt out the catchy tunes with punk rock velocity.  Billie Joe’s lyrics were never fully juvenile, but these lyrics here are more profound, more meaningful.  Themes of social unrest and current events.  Standout tracks are Bang, Bang, Troubled Times, title track, and Youngblood.  But they’re all pretty good.

Send In The Tanks Around The World

Send In The Tanks – the Single!

My new song, “Send In The Tanks” has been mixed and mastered and released to digital worldwide distribution!

Send in the tanks

Buy it now wherever fine music (obviously) is sold (iTunes, Amazon, etc.)!  You can also stream it on Spotify if you don’t like commitment (I’m a guy, so I understand that.  Am I right, ladies?).

(More parentheses here.)

If you dig it, here are a few ways you could help that would go a long way:

  • Write a review on iTunes, Amazon, etc.
  • Save it to your library on Spotify
  • Follow my Matt Bankert artist page on Spotify
  • Add it to a Spotify playlist
  • Share it with your friends, enemies, and everyone in between

I am most grateful!

When they said you could do whatever you want, they never meant you could do that.”

In the Earbuds: A Different Kind of Truth by Van Halen

Many old-timer bands try to do a revamp album after being inactive for a while.  Few succeed.  Van Halen succeeded.  It’s been out for a few years now (since 2012), but the reunion album of the classic Van Halen lineup including David Lee Roth is a triumph.  Despite Roth’s voice showing some age, he can still belt out some eye-popping high notes.  Roth’s girl-crazy lyrics now have a degree of profundity and wit to them (Bullethead, Tattoo) that may not have been there in the more classic, less-philosophical Van Halen tunes (Hot For Teacher).  The rhythm section hasn’t lost any speed and if anything, has picked up some steam with the addition of Eddie’s own son, Wolfgang, on bass.  This means the band is now 25% more Van Halen.  Wolfgang has definitely inherited his father’s snaking fretboard gene (pardon the technical medical term).  Some highlights are the speed rock songs “As Is”, “Bullethead”, and “China Town”, as well as the raucous, heavy blues-rocker, “Stay Frosty”.

But of course the highlight of the album is the band’s namesake, Eddie Van Halen.  His scorching, serpentine riffs and solos are just as strong as anything from the late 70s.  Eddie is one of my favorite guitarists, because he sounds like a child with his favorite toy. You can hear in his music that signature smile he always has on his face.  His playing appears to be effortless.  He gives a command, and his guitar is helpless to obey – snarling, singing, crying, trilling, or bellowing in response.

Listen to this and you’ll be smiling like Eddie.

 

===Follow Matt’s Spotify playlist, “Give Me Liberty and Give Me Rock,” updated weekly!===